Alexander McQueen: The Legacy

I originally wrote this on La Couturier three years ago as soon as news of his death disseminated the Internet.

He was found dead Feb. 11, 2010; it felt right to republish this piece here in honor of the designer’s memory. 

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It’s rather unsettling to be here writing this; a part of me harbors this notion that no, it can’t quite possibly be real, that the one and only Alexander McQueen is  d e a d . Suicide was the stipulation for the death of this iconic British designer.

Harsh, isn’t it? Those words. The finality of the words death and dead that we all sought to avoid, and herein we try to appease our souls with less confined descriptions: rest in peace, left the Earth, escaped worldliness, etc. Our minds, with the knowledge of our own fragility, grow scared at every reminder of our mortality. It’s admittedly pathetic, but nonetheless human.

I know I’m perhaps the last to dedicate a tribute of sorts to Alexander McQueen; what exactly do I write about him that could put to justice to the amount of beauty and artistic genius he gave to the world? Alexandra Schulman at Vogue had said, “Lee McQueen influenced a whole generation of designers. His brilliant imagination knew no bounds as he conjured up collection after collection of extraordinary designs.”

It was exactly that—his boundless imagination and lack of inhibition—that brought his brand to where it is today. Few people possess the ability to do so without recoiling from insecurities or fear of what others would think. On a smaller scale, we shelter a part of ourselves from the brutality of the world, so save our egos and creative bits should our peers scoff at what isn’t in the norm. To be able to forgo any and all insecurities, self- and societal restraints, is a feat to be praised for, especially when displayed for the entire world to see, and ultimately, judge. That, in itself, should be commended.

Thus the news of Alexander McQueen’s suicide is especially devastating for any who have heard of the iconic name; in my mind he (and the likes of Karl Lagerfeld) were near immortal: physically as the last man standing, and intangibly as in their influence upon the exclusive fashion world. It almost sheds new light upon past designs, which were always brash and impulsive (writing “I am a c*nt into the sleeve of Prince Charles’ suit!). There was an undercurrent of pessimism in his romantically, arch-romantic collections—elements that perhaps reflected his inner self. His collections were always beautiful in a nonconventional fashion, yet dark.

Choosing the perfect image to accompany my tribute post to Alexander McQueen stopped upon seeing Danny Robert’s painting. The colors, the brushstrokes, even the face itself reminded me of Van Gogh: the same pessimism—that incomprehensible, otherworldly sadness—and creative ingeniousness captured brilliantly in Robert’s tribute represented the essence this news, and the emotions, almost all too perfectly. The contemplativeness of the eyes that led to the mind.

We all cringe at the headlines everywhere: ALEXANDER MCQUEEN, AGE 40 DEAD. Bolded, in the rather unfeeling Times New Roman font—all the more imprinting the finality of his leave. It’s a funny thing, how we think death means the end of all good that came from that being, when in fact, it only immortalizes him.

His soul, his influence, his impact—that, mes chéries, lives on.

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{image via}